Petr Adamík
In 1999, I co-founded the punk'n'roll band Degradace, with whom I'm still going strong.
I've been working at the musical instrument store Hudební Svět for a few years now, and a while ago I decided that I'd like to write about music—for Rock & Pop, Rock & All, Rock History and now also Frontman.cz (the Czech edition of Insounder).
So my whole life revolves around music, but also—and more importantly—around my girlfriend and my son.
Články
Sum 41 Balancing between Heaven and Hell one Last Time
Rod Stewart and Jools Holland Struck by Swing Fever
Pearl Harbour: I Couldn't Get on the Radio Because of My Name
The Löst Tapes Collection Brings to Life the Power of Motörhead's Live Performances
Jennie Bellestar: There Is Not Much Music I Don't Like
Shawn Smash (Total Chaos): I Learned to Play on Stolen Guitars
Nita Strauss: It doesn't matter if you play a cheap or expensive guitar, the important thing is just to start playing
Dominic Miller: I Want to Work with Musicians Who Understand Space and Colour
Steve Drewett (Newtown Neurotics): I Wanted to Write Music That Could Connect to People Emotionally
Andy McCoy: I Serve the Song, Whatever It Needs. That’s What I See As My Job
Derek Day (Classless Act): We Take Our Music Seriously, but Not Ourselves
Steve Conte: When They Showed Me How To Play "Johnny B. Goode", the Whole World Opened up for Me
Prescott Niles (the Knack): Music Gives You the Ability to Overcome National and Personal Tragedy
Gary Stringer (Reef): I Want to Make the Best Music Possible and I Don't Care How I Get There
Brett Rasmussen (Ignite): As Long as You’re Writing from the Heart, That’s the Only Thing That Matters
Ben Bruce (Asking Alexandria): As I Get Older, I Play More Solos
John Corabi: “I’m Old School, but I Record Songs on My Laptop Now”
Ellen Foley: “I Was No Punk Kid, but 1970s New York Was Exciting to Me”