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NEW GEAR 38/23: Mojotone Effect Kits, Fender Waylon Jennings, Aguilar Cabinet and Bullfrog Synth
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Notes of a Frontwoman #8: People Listen with Their Eyes or How to Make Promo Photos
Milestones in Music History #45: Jane's Addiction, Nothing’s Shocking
NEW GEAR 37/23: Scarlett 4th Gen Cards, Spector "HP" Basses and Andreas Kisser's Jackson
Quotes from the Music School: Guitar Taps, Talking Clefs and the Art of Excuses
The Handbook for Electro Acoustic Guitarists, Chapter 6: Acupedia
NEW GEAR 36/23: Friedman JEL amp, Trigon-6 module and new era of ROSS effects
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Songs Written with a Machete #10: The Fire That Burns Your Skin
NEW GEAR 35/23: TCE High-Gain Preamps, Strat Juanez, Apogee Microphone and SBC Synth
3 Tips on How (Not) To Play a Gig When It’s Raining Cats and Dogs
Milestones in Music History #44: Wipers – at the Origins of Grunge
NEW GEAR 34/23: Marshall Amps, IKM Synth, G&L Guitars and the Return of Sunn
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The Handbook for Electro Acoustic Guitarists, Chapter 5: Preamps
NEW GEAR 33/23: EHX has downsized the POG octave pedal, Boss offers the GM-800 synthesiser, Jackson launches a premium guitar edition, Finland's Darkglass introduces a new amp and Blackstar unveils its first plugin
TOP 5 Absurd Laws of the Music World
Dreamstruments #17: Jirka Mázl (Mazl Custom Guitars)
Nita Strauss: It doesn't matter if you play a cheap or expensive guitar, the important thing is just to start playing
NEW GEAR 32/23: Luxurious John McLaughlin PRS, First Fender Bass Ukulele, John Petrucci’s Software and Quiet Cymbals Zultan
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